There is are quite a few good reasons as to buy your music on cd or vinyl, one in particular is quality but here is interesting article published just this week by cnet - which debates this issue...its definitely food for thought

The fact is, no one has to buy recorded music any more. Most of it is available when and where you want it on YouTube for free. You could also pay for a Spotify, Apple Music, Tidal, or whatever subscription. It's basically a rental, which is really convenient, but also has its downsides.

Based on my very unscientific polling on YouTube, Facebook and Twitter, the folks who buy and collect music are more likely to spend time listening without multitasking. That makes sense to me -- they loved the music enough to buy an LP, CD or download, so their interest was more than casual. They have a deeper connection with music.

Another reason to buy music on LP, CD, or Bandcamp is to support, financially, the bands you love. Many of the collectors who talked to me are adamant in their beliefs that subscription services are cheating artists. 

Rock icon Peter Frampton, for example, isn't exactly cleaning up with streaming services. He tweeted this in August of this year: "For 55 million streams of, 'Baby I Love Your Way', I got $1,700. I went to Washington with ASCAP [American Society of Composers, Authors, and Publishers] last year to talk to law makers about this. Their jaws dropped and they asked me to repeat that for them." A lot of musicians and composers feel cheated by the subscription companies.

Another collector reinforced that point. "As a musician, it's a huge difference between what we make from the sale of a CD, or even a download, let alone vinyl, versus a subscription, which is streaming. The difference is an order of magnitude. If you want to support an artist, buy the physical media, or buy an actual download, preferably from their website or Bandcamp."

In 2018 bands still record music, but its prime function is to promote the band for live shows, which are generally more lucrative. If they're not famous, they probably have little or no expectation of making much income from recorded music. So they record less and less. The band's legacy isn't what it could be.

Another friend tweeted, "I still own the first CDs I bought back in 1992. With streaming, your favorite recording might be deleted overnight. CDs allow you to decide exactly how to build up your library. With streaming you must wait for the service to make a deal with a label, which might never happen."

Someone else said, "...it really comes down to a sense of physical permanency, a footprint of my musical history. That being said my listening now encompasses digital download and streaming as well as CD/vinyl."

When you stop paying for your music subscription, you have nothing. Buying a worthwhile music collection has intrinsic, lasting value. Many of my LPs and CDs are worth many times more than I paid for them. Think about it, a $10-a-month subscription adds up to a $120 a year, in five years that's $600! You could have bought a lot of music with $600.

No doubt subscriptions make sense for a lot of people, but if you really love music enough to see it as something you want to have a long term relationship with, consider buying it. You also get the added benefit of supporting the bands you love by buying a piece of their recorded legacy

1. Don’t print lyrics unless you have sufficient space

Are you thinking of cramming the lyrics to 12 songs onto a four-panel digipack? Where are you going to put the album credits, copyright info, and crowdfunding thank-yous? Who’s going to be able to read that tiny font anyway? Lyrics in the album packaging are great – if you can read them. 

2. Don't include social media URLs 

Remember when everyone put their MySpace addresses in their album art? How 2005! Social media sites come and go. Even Facebook may soon be yesterday's news. So, consider not putting your social media URLs in your album art. It'll date you. Instead, you absolutely should put your own website's URL in the album art. That will never go out of style; your web address is eternal.

3. Envision your album cover as a thumbnail

The majority of people who encounter your album will do so online. They’ll see a smaller version on digital music platforms like iTunes, Spotify, and Amazon, or on review sites and blogs. Often it will appear as small as a thumbnail. Before you commit to an album cover design, shrink it way down. Does it still capture your attention? If so, you’ve got a winner. If not, try a different approach for your album cover.

4. You might not need your artist name or album title on the cover

Conversely, because most people will see the album online (where retail stores, blogs, and review sites will display your artist name and album title next to the cover), it's less important that your band name and album title appear in bold on the cover art – though that approach worked wonders for The Black Keys. In fact, you might not need them there at all, especially if your CD or vinyl package comes with a sticker on the shrinkwrap that does have your artist and album name. You can let the internet (and that sticker on the packaging) do the magic of conveying the facts, and then use that extra visual space for some great design.

5. Design in CMYK and not RGB

A big no no is design your artwork in RGB. CMYK is the print format that should be applied to all cd / vinyl artwork - we have more on this on our blog.

6. Get your fans to interact with you online

Putting your website address in your CD booklet is fine (and you totally should do that, of course), but if you can offer a little something extra, you'll increase the chances that someone who bought your album will go online and check out your site. Make sure the text in your album art mentions that visitors to your website will get access to an exclusive download, essay, PDF, etc. – in exchange for an email address.

7. Album covers with faces get more attention

We don’t really have any hard data to back up this claim (though it'd be interesting to look into), but for many of us at CD Baby who see hundreds of new album submissions every day, it seems like album covers that feature actual human faces draw more attention to themselves than ones that have... something else. Maybe it's just that feeling of personal connection which comes from seeing someone's eyes, or that you can get an instantaneous sense of the artist's musical style and aesthetic based on his or her fashion, posture, the setting of the photo, etc. But something about those covers (when done well) seem more immediate and engaging.

8. If you’re not going to feature a human face, make sure your design is striking and original

Your album design shouldn't just look cool. It should convey something about your musical style and even your personal beliefs. For a great example of a record that breaks the rules and sends a message with its album art, check out Aphex Twin’s Syro, where the cover shows an itemized list of every expense that went into creating and marketing the record (instrument costs, promotional meet-and-greets, advertising, etc.).

9. Minimalism is in

This is probably related to number three and number four above, but the starker the image, the more it seems to capture our attention. Maybe the modern sensibility is, "Things'll get shrunk, so things should stay simple." After all, it'd be really difficult to make out all the faces on the cover of Sgt. Pepper’s when reduced to a thumbnail. 

10. Print your artist and album name clearly on the spine

Imagine your CD is sitting on the shelves of a radio station library. Can you find the disc among all those other albums? Many DJs are still heavily reliant on CDs, and they need to be able to pull your disc off the shelves quickly. It's for this very reason that many stations don’t even accept albums sent to them in thin sleeve packaging. So if you’re serious about a radio promotion campaign, you should consider packaging your CDs in digipacks or jewel cases, and then be sure that the writing on the spine is big, bold, and highly legible.